The reader who sticks with “How Music Works” will occasionally be rewarded with a shrewd bit of insight or gossip. Social and personal rewards in other areas beyond mere communication? Is there a clumsier euphemism for randy girls, free drugs and instant popularity? About a 2008-09 solo tour for an album called “Everything That Happens Will Happen Today” he declares, “The shows were super well received we all had a wonderful time performing.” Describing the enticements that led him to rock music as an adolescent, he intones: “There was also the remote possibility that I would briefly be the hero and reap some social and personal rewards in other areas beyond mere communication, though I doubt I would have admitted that to myself.”
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A few sentences from “How Music Works” can stand in for many. Learn how to play 86 songs by Talking Heads easily. His prose seems to have been translated from the Chinese. On the page, Byrne mostly remains adrift. Readers under 40 who’ve barely heard of Byrne should gather instead around the euphoric art-funk bonfire that is “Stop Making Sense,” Jonathan Demme’s 1984 Talking Heads concert film. If you’re looking for pleasures, your money would be better spent on Byrne’s intermittently lovely new album, “Love This Giant,” made with Annie Clark (who performs as St. It’s all the things Byrne’s twitchy and alienated music with Talking Heads never was: genial, well-meaning, as forgettable as a real estate agent’s handshake. It drifts from music history, sonic anthropology and mild biographical asides to broad pop theory and grandfatherly financial and artistic advice.
It’s more like a survey course you didn’t mean to sign up for. Critic Clive James once began a review of a Leonid Brezhnev biography by observing that it was so dull that “if it were read in the open air, birds would fall stunned from the sky.”ĭavid Byrne’s new book, “How Music Works,” is not so bad as that. Intro Well, we know where we're going But we don't know where we've been And we know what we're knowing But we can't say what we've seen And we're not little children And we know what we want And.
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